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Asterix - Asterix CD

Label: Minority
$19.33
Get free with: 310 points
Reward points: 14 points
Minor 274
Out-of-stock

Description

Asterix - Asterix CD. Reissue of this rare 1970 release from John Lawton and Co. that's pre-Lucifer's Friend.

Track Listing:

  1. Everybody*
  2. If I Could Fly*
  3. Look Out
  4. Gone From My Life
  5. Broken Home
  6. Time Again
  7. Jump Into My Action
  8. Open Up Your Mind
  9. Corner Street Girl
  10. Change in You
  11. Morning At My Dawn

* bonus tracks

Features

Genre:
Prog Rock
Format:
CD
Discs:
1
Manufacturer:
Minority
Orig Year:
1970
Country of Origin:
Germany

Reviews

Asterix was a direct predecessor of Lucifer's Friend; released one (eponymous) album in 1970. Technically, this was the first Lucifer's Friend album, only under a different name. Also, one single was released featuring a slightly altered line-up, without John's involvement.

Peter Hesslein began his musical career way back in 1963 with a band called the Giants. Peter Hecht and Dieter Horns were both members of a group known as the German Bonds, from 1965 onwards. Peter Hesslein joined the Bonds in 1968 which survived until 1970. At this point the various members took up the study of graphic design in an attempt to forge more sensible careers.

But the call of rock’n’roll was too strong and in late 1970, the ex-Bonds men, together with Joachim Reitenbach , decided to record a new album. They needed a lead singer and eventually found John Lawton who had been with the group Stonewall.

The new band took the name Lucifer's Friend and released their first album 'Asterix' in 1970. Their first three albums were undeniably influenced by contemporary British bands such as Uriah Heep and Deep Purple. 'Lucifer's Friend' was released on the Phillips label in January 1971 followed by 'Where The Groupies Killed The Blues' (1972). Lucifer's Friend' was given rave reviews particularly in America where the Chicago Express compared them to Led Zeppelin. This encouraged the five-piece to commence a heavy touring schedule, a policy which later backfired. Gradually their music had become a shade more sophisticated and serious jazz and symphonic influences were detected by critics and fans. This was no doubt due to the increasing importance of 'progressive rock' which seemed to appeal to college students and university audiences rather more than good old heavy metal. It was also more interesting for musicians to play and presented them with new challenges.
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